THE 2-MINUTE RULE FOR ORDER PHOENIX TEARS 0 30

Notions of looking and voyeurism are tackled spatially and architecturally in “Excellent For Me.” Within this sequence, swooping traces create a kind of peephole outcome that reveals Mundt in two distinct poses: adopting the posture of Toulouse-Lautrec’s model and tugging at her belly. This gesture, which seems in other paintings inside the e